Super! Jeg har lavet til Scream Factory, Arrow Video og Eureka her:
Jeg tror at det vil se super kønt ud i labeltrådene. Kan du se hvor store de max. må være? Jeg bruger 16px i bredde.
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| Criterion-tråden http://dahf.dk/viewtopic.php?f=16&t=45906 |
Side 7 af 12 |
| Forfatter: | Buck Rogers [ fre feb 17, 2017 15:12 ] |
| Titel: | Re: Criterion-tråden |
Jeg vil gerne undersøge det - men hvis vi først har åbnet ballet, bør vi vel så også have Arrow, Eureka, BFI og mange andre med? |
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| Forfatter: | Fritte [ fre feb 17, 2017 15:18 ] |
| Titel: | Re: Criterion-tråden |
Super! Jeg har lavet til Scream Factory, Arrow Video og Eureka her: Jeg tror at det vil se super kønt ud i labeltrådene. Kan du se hvor store de max. må være? Jeg bruger 16px i bredde. |
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| Forfatter: | Buck Rogers [ fre feb 17, 2017 15:57 ] |
| Titel: | Re: Criterion-tråden |
De andre elementer er i alt fald 16x16. Jeg har fundet en vejledning, men skal bruge ftp-adgang for at tilføje ikoner - så det bliver i løbet af weekenden 
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| Forfatter: | Fritte [ man feb 20, 2017 18:36 ] |
| Titel: | Re: Criterion-tråden |
Et par billeder af Before-boksen. Jeg fik i øvrigt set alle 3 på Filmstriben for et par uger siden. Sunrise var den bedste. Sunset var også rigtig god, men den var desværre ultra, ULTRA kort. Kunne man ikke have gået ned af en gade eller to mere, spist på en restaurant eller taget en bustur? Den sluttede også ret pludseligt (godt jeg ikke skulle vente 9 år på en sequel!). Midnight var en fin afslutning på trilogien.  
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| Forfatter: | DeathPosture [ tirs feb 21, 2017 14:16 ] |
| Titel: | Re: Criterion-tråden |
Fedt! Du får virkelig høvlet nogle klassikere, Fritte! Og Before-trilogien er fuldstændig fantastisk 
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| Forfatter: | Buck Rogers [ ons feb 22, 2017 9:58 ] |
| Titel: | Re: Criterion-tråden |
Fritte skrev: Moonlight-instruktør, Barry Jenkins, tømmer Criterion-skabet!  Mega fedt, at han viser love for La Haine! Nu ved vi da, hvorfor Criterions udgivelser er så pissedyre 
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| Forfatter: | Fritte [ tors feb 23, 2017 10:32 ] |
| Titel: | Re: Criterion-tråden |
 UK-titler: Tampopo udkommer den 1. maj. 12 Angry Men udkommer den 15. maj. 
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| Forfatter: | Buck Rogers [ tors feb 23, 2017 10:41 ] |
| Titel: | Re: Criterion-tråden |
12 A.M. er en lækker udgave - den danske BD står stort set lige så flot (og kostede 29 kr. i Fona!), men Criterion-udgaven har tv-versionen af filmen med. |
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| Forfatter: | Fritte [ lør mar 11, 2017 18:57 ] |
| Titel: | Re: Criterion-tråden |
Tak til CFN, der gav mig adgang til maskinrummet! Jeg har udført et stort rengøringsarbejde og slettet 80 (!) af mine indlæg i Criterion-, Scream Factory-, Arrow- og Eureka-trådene. Jeg har samlet mange annonceringer efter måned (præcis som de bliver offentliggjort) og slettet rigtig mange enkeltsoplag. Eksempelvis er alle Criterions maj-udgivelser i USA samlet i ét indlæg, i stedet for 6 separate indlæg. Det tog lidt tid med copy/paste-arbejde, men det ser rigtig fint ud.
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| Forfatter: | Fritte [ man mar 13, 2017 20:48 ] |
| Titel: | Re: Criterion-tråden |
Filmstrucks website lige nu. Er Tree of Life på vej i Criterion-udgave?   
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| Forfatter: | Mills [ tirs mar 14, 2017 0:00 ] |
| Titel: | Criterion-tråden |
Ja, nogle taler om en 165 min. udgave. |
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| Forfatter: | DeathPosture [ tirs mar 14, 2017 11:46 ] |
| Titel: | Re: Criterion-tråden |
Fritte skrev: Tak til CFN, der gav mig adgang til maskinrummet! Jeg har udført et stort rengøringsarbejde og slettet 80 (!) af mine indlæg i Criterion-, Scream Factory-, Arrow- og Eureka-trådene. Jeg har samlet mange annonceringer efter måned (præcis som de bliver offentliggjort) og slettet rigtig mange enkeltsoplag. Eksempelvis er alle Criterions maj-udgivelser i USA samlet i ét indlæg, i stedet for 6 separate indlæg. Det tog lidt tid med copy/paste-arbejde, men det ser rigtig fint ud. Godt arbejde, Fritte!
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| Forfatter: | Fritte [ tors mar 16, 2017 20:39 ] |
| Titel: | Re: Criterion-tråden |
Desværre ingen Tree of Life i denne omgang. Til gengæld udkommer Sam Peckinpahs Straw Dogs.  Straw Dogs In this thriller, arguably Sam Peckinpah's most controversial film, David (Dustin Hoffman), a young American mathematician, moves with his English wife, Amy (Susan George), to the village where she grew up. Their sense of safety unravels as the local men David has hired to repair their house prove more interested in leering at Amy and intimidating David, beginning an agonizing initiation into the iron laws of violent masculinity that govern Peckinpah's world. Working outside the U.S. for the first time, the filmmaker airlifts the ruthlessness of the western frontier into Cornwall in Straw Dogs, pushing his characters to their breaking points as the men brutalize Amy and David discovers how far he'll go to protect his home—culminating in a harrowing climax that lays out this cinematic mastermind's eloquent and bloody vision of humanity. Special Features: - NEW, RESTORED 4K DIGITAL TRANSFER, with uncompressed monaural soundtrack on the Blu-ray - Audio commentary from 2003 by Stephen Prince, author of Savage Cinema: Sam Peckinpah and the Rise of Ultraviolent Movies - Mantrap: "Straw Dogs"—The Final Cut, a 2003 documentary about the making of the film, featuring cast and crew - Sam Peckinpah: Man of Iron, a 1993 documentary about the director featuring actors Kris Kristofferson, Jason Robards, Ali MacGraw, and many others - New conversation between film critic Michael Sragow and filmmaker Roger Spottiswoode, who worked as one of the editors on the film - New interview with film scholar Linda Williams about the controversies surrounding the film - Archival interviews with actor Susan George, producer Daniel Melnick, and Peckinpah biographer Garner Simmons - Behind-the-scenes footage - TV spots and trailers - PLUS: An essay by scholar and critic Joshua Clover STREET DATE: JUNE 27.  The Lodger: A Story of the London Fog With his third feature film, The Lodger: A Story of the London Fog, Alfred Hitchcock took a major step toward greatness and made what he would come to consider his true directorial debut. This haunting silent thriller tells the tale of a mysterious young man (matinee idol Ivor Novello) who takes up residence at a London boardinghouse, just as a killer who preys on blonde women, known as the Avenger, descends upon the city. The film is animated by the palpable energy of a young stylist at play, decisively establishing the director's formal and thematic obsessions. In this edition, The Lodger is accompanied by Downhill, another 1927 silent exploration of Hitchcock's "wrong man" trope, also headlined by Novello—making for a double feature that reveals the great master of the macabre as he was just coming into his own. Special Features: - 2K DIGITAL RESTORATION, with a new score by composer Neil Brand, performed by the Orchestra of Saint Paul's - Downhill, director Alfred Hitchcock's 1927 feature film starring Ivor Novello, in a 2K digital restoration with a new piano score by Brand - New interview with film scholar William Rothman on Hitchcock's visual signatures - New video essay by art historian Steven Jacobs about Hitchcock's use of architecture - Excerpts from audio interviews with Hitchcock by filmmakers François Truffaut (1962) and Peter Bogdanovich (1963) - Radio adaptation of The Lodger from 1940, directed by Hitchcock - New interview with Brand on composing for silent film - PLUS: Essays on The Lodger and Downhill by critic Philip Kemp STREET DATE: JUNE 27.  The Marseille Trilogy In the 1930s, Marcel Pagnol, a leading light of the Paris theater, set out for new horizons as a filmmaker in his native Provence. His early masterpieces Marius, Fanny, and César mix theatrical stagecraft with realistic location photography to create an epic love story from the fabric of everyday life. Gruff, sentimental César (music-hall star Raimu) owns a waterfront bar in the old port of Marseille, where his son, Marius (Pierre Fresnay), wipes down tables and dreams of a life at sea. The prosperous, middle-aged sailmaker Panisse (Fernand Charpin), wanting to wed Marius's sweetheart, Fanny (Orane Demazis), sets up a generation-spanning romantic triangle, the story of which unfolds in a series of fateful twists in the films of The Marseille Trilogy, which first earned Pagnol his place in cinema history. "If Pagnol is not the greatest auteur of the sound film," critic André Bazin wrote, "he is in any case something akin to its genius." Marius (Alexander Korda 1931) Adapting his hit play Marius for the screen two years after its stage premiere, Marcel Pagnol turned his inimitable creative energies to the new medium of sound cinema, in a felicitous collaboration with the Hungarian-born director Alexander Korda. Fanny (Marc Allégret 1932) The delicate romanticism of The Marseille Trilogy's opening installment encounters harsh reality in this sequel, which picks up moments after Marius has left his would-be wife, Fanny, for a sailor's existence. César (Marcel Pagnol 1936) In the final chapter of The Marseille Trilogy, Marcel Pagnol returns his compassionate gaze to his weathered characters as they discover the possibility of reconciliation and the durability of love. Special Features: - NEW 4K DIGITAL RESTORATIONS of all three films, with uncompressed monaural soundtracks on the Blu-rays - New introduction by filmmaker Bertrand Tavernier - New interview with Nicolas Pagnol, writer-director Marcel Pagnol's grandson - Segments of Marcel Pagnol: Morceaux de choisis, a 1973 documentary series on Pagnol's life and work - Short documentary on the Marseille harbor by Pagnol - Archival interviews with actors Orane Demazis, Pierre Fresnay, and Robert Vattier - Pagnol's Poetic Realism, a new video essay by scholar Brett Bowles - French television clip about the restoration of the trilogy - Theatrical rerelease trailer - New English subtitle translations - AND More! - PLUS: An essay by film critic Michael Atkinson and excerpts from Pagnol's memoirs STREET DATE: JUNE 20.  They Live by Night Legendary director Nicholas Ray began his career with this lyrical film noir, the first in a series of existential genre films overflowing with sympathy for America's outcasts and underdogs. When the wide-eyed fugitive Bowie (Farley Granger), having broken out of prison with some bank robbers, meets the innocent Keechie (Cathy O'Donnell), each recognizes something in the other that no one else ever has. The young lovers envision a new, decent life together, but as they flee the cops and contend with Bowie's fellow outlaws, who aren't about to let him go straight, they realize there's nowhere left to run. Ray brought an outsider's sensibility honed in the theater to this debut, using revolutionary camera techniques and naturalistic performances to craft a profoundly romantic crime drama that paved the way for decades of lovers-on-the-run thrillers to come. Special Features: - NEW 2K DIGITAL RESTORATION, with uncompressed monaural soundtrack on the Blu-ray - Audio commentary featuring film historian Eddie Muller and actor Farley Granger - New video interview with film critic Imogen Sara Smith - Short piece from 2007 with film critic Molly Haskell, filmmakers Christopher Coppola and Oliver Stone, and film noir specialists Alain Silver and James Ursini - Illustrated audio interview excerpts from 1956 with producer John Houseman - PLUS: A new essay by film scholar Bernard Eisenschitz STREET DATE: JUNE 13.  Ugetsu Having refined his craft in the silent era, Kenji Mizoguchi was an elder statesman of Japanese cinema—fiercely revered by Akira Kurosawa and other younger directors—by the time he made Ugetsu. And with this exquisite ghost story, a fatalistic wartime tragedy derived from stories by Akinari Ueda and Guy de Maupassant, he created a touchstone of his art, his long takes and sweeping camera guiding the viewer through a delirious narrative about two villagers whose pursuit of fame and fortune leads them far astray from their loyal wives. Moving between the terrestrial and the otherworldly, Ugetsu reveals essential truths about the ravages of war, the plight of women, and the pride of men. Special Features: - NEW 4K DIGITAL RESTORATION by The Film Foundation, with uncompressed monaural soundtrack on the Blu-ray - Audio commentary by filmmaker, critic, and festival programmer Tony Rayns - Kenji Mizoguchi: The Life of a Film Director (1975), a 150-minute documentary by Kaneto Shindo - Two Worlds Intertwined, a 2005 appreciation of Ugetsu by filmmaker Masahiro Shinoda - Process and Production, a 2005 interview with Tokuzo Tanaka, first assistant director on Ugetsu - Interview from 1992 with cinematographer Kazuo Miyagawa - Original Trailers - An essay by film critic Phillip Lopate (Blu-ray and DVD) and three short stories that influenced Mizoguchi in making the film (Blu-ray only) STREET DATE: JUNE 6. |
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| Forfatter: | Fritte [ fre mar 24, 2017 19:19 ] |
| Titel: | Re: Criterion-tråden |
UK-titler: Diabolique udkommer den 5. juni. The Fisher King udkommer den 19. juni. 
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| Forfatter: | Fritte [ lør jun 17, 2017 7:06 ] |
| Titel: | Re: Criterion-tråden |
Criterion udgiver en nyrestaureret udgave af Alfred Hitchcocks Rebecca den 5. september. Citat: Romance becomes psychodrama in Alfred Hitchcock’s elegantly crafted Rebecca, his first foray into Hollywood filmmaking. A dreamlike adaptation of Daphne du Maurier’s 1938 novel, the film stars the enchanting Joan Fontaine as a young woman who believes she has found her heart’s desire when she marries the dashing aristocratic widower Maxim de Winter (played with cunning vulnerability by Laurence Olivier). But upon moving to Manderley—her groom’s baroque ancestral mansion—she soon learns that his deceased wife haunts not only the home but the temperamental, brooding Maxim as well. The start of Hitchcock’s legendary collaboration with producer David O. Selznick, this elegiac gothic vision, captured in stunning black and white by George Barnes, took home the Academy Awards for best picture and best cinematography. Special Features: - NEW 4K digital restoration, with uncompressed monaural soundtrack on the Blu-ray - Audio commentary from 1990 featuring film scholar Leonard J. Leff - Isolated music and effects track - NEW conversation between film critic and author Molly Haskell and scholar Patricia White - NEW interview with special effects historian Craig Barron on the visual effects in Rebecca - Documentary from 2007 on the making of Rebecca - Screen, hair, makeup, and costume tests including actors Joan Fontaine, Anne Baxter, Vivien Leigh, Margaret Sullavan, and Loretta Young - Casting gallery annotated by director Alfred Hitchcock and producer David O. Selznick - Television interviews with Hitchcock and Fontaine from 1973 and 1980 - Audio interviews from 1986 with actor Judith Anderson and Fontaine - Three radio adaptations of Rebecca, from 1938, 1941, and 1950, including Orson Welles's version for the Mercury Theatre - Theatrical rerelease trailer - Optional English SDH subtitles - PLUS: An essay by critic and Selznick biographer David Thomson and selected production correspondence, including letters between Hitchcock and Selznick 
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